| Another bullet in the cake? No, this time I eat the | | | | about this, yes, like a spinster teacher, because the |
| cake. | | | | attempt was really promising and mature this time! |
| I finally saw "Hate Rock" the long awaited - actually | | | | So, sincere congratulations!My experience on the set |
| 23 hours download - documentary about us. The | | | | and the comments of the old aunts... |
| presentation of the documentary seems much harder | | | | I have to award the professionality of those who |
| than what the video says in reality. Before watching | | | | worked on this documentary, obviously in particular |
| this video I asked for impressions to people who | | | | those 3 nice guys I mentioned on "Gloucester Road" |
| saw it on the cable in the US and all their comments | | | | (I don't know the others...). |
| have been very negative. I was caught days ago | | | | It was not my first time on tv and on press in |
| while answering to some questions on the phone. I | | | | general. Apart from right-wing press stuff, my |
| classified this documentary as antifascist propaganda, | | | | relationship with the out-of-the-ghetto press has |
| because this is what it seems reading the introduction | | | | always been quite stormy... |
| on the websites (SMG productions and Discovery | | | | do you remember, folks, for example, my pics with |
| Times) and this is how people described the show to | | | | the bottle or when (on Italian satellite tv) a |
| me. I have to say instead, after watching the work, | | | | prestigious reporter aggressed me and cut my hair? |
| that it is a "documentary" and not the ultimate show | | | | I have to say this time I was treated like a princess. |
| about the "absolute evil".ContentsLength limitation | | | | I spoke, answered to questions, I was not |
| (about 1 hour) and lack of time make also the best | | | | aggressed, never interrupted and I have eaten and |
| of the videos a marginal work. You must have asked | | | | drunk.I was shown on the screen like a normal girl |
| yourselves: what to include and what to exclude? | | | | with a guitar during a possible ordinary moment of |
| How to delineate the whole documentary? So, this is | | | | my life - ok, Magnus and Katana are still laughing on |
| the section in which I will list (I will exceed!) your | | | | the floor saying I walk like a duck. Also all the other |
| "made 30s, why not 31?", all good advices for | | | | people in the video are "men and women". |
| someone who'll try to write a book - maybe - about | | | | I received some complaints via email about what I |
| hate rock in future, and I guess many of the things I | | | | didn't say in the video... |
| will write down here were maybe consciously | | | | you have to know, sometimes I speak too much |
| excluded, not just forgotten.I have seen you pointed | | | | and I had promised my close mates of Ashtree |
| your attention to our more or less extreme faces, | | | | things about defence topics and scientific reseach |
| the "interface", so how music is spread, how | | | | and paganism, because these are important themes |
| concerts are organized, what different images we | | | | in our struggle here at Ashtree Records.You didn't |
| use, the persecution we get and so on...it's a very | | | | choose anything of this and ok, it's your choice. |
| good video, but I think sometimes it is too | | | | To those who say I'm shown for a too short time |
| "aesthetic", it often proposes some songs with | | | | on this documentary I reply: |
| "impact" lyrics but does not get into their deep | | | | I have always tried to fill my music with hidden |
| meaning, imaging people outside already know about | | | | messages and now I appear on this video as a |
| our beliefs (only in Detroit instead you captured a | | | | subliminal message, so I don't see the |
| good deal of explanations about some aspects of | | | | problem!AudienceSome people said your documentary |
| white power music or when you talked about the 14 | | | | is too British. Well, in my opinion since you are British |
| words) and sometimes it escapes too much towards | | | | and the documentary was first produced for Five |
| descriptions of political organizations forgetting it is a | | | | and then distributed overseas, I think you might have |
| documentary about music and it confines the "white | | | | some British audience. |
| power" movement into the racist thing too | | | | I would like to write down some personal |
| much.Question number one: what is a racist? And on | | | | observations and I would like to propose some new |
| a higher level: what is a nationalist?It would have | | | | hint for reflection and curiosity.Before investing |
| been interesting to know how a song is born, in what | | | | money on any television production, you must have |
| situation. From the documentary we seem to want | | | | an idea about the audience to which your product is |
| ethnic cleaning mostly or only and above all... and you | | | | addressed. It's hard - believe - it's hard to find a man |
| sent my song "Don't go round with the Jews", for | | | | who's got no interest or simply never heard of "hate |
| instance (I'll take myself as example, because I know | | | | rock", who sits down in front of the tv and watches |
| myself), which is not a song about that topic, but | | | | a show like this. It's not ignorance... it's a situation like |
| about the problem of social integration. You chose | | | | going back home, tired from work and just relax with |
| from my interview my declaration "I say I'm not a | | | | something pleasant which depends on tastes. You |
| nazi, I'm a fascist, I must defend my italian history"... I | | | | know, television is still not "programmed" by audience |
| must comment, with or without that sentence my | | | | (even digital terrestrial, which is sold like "power in the |
| position doesn't change: I'm a so-called "white power" | | | | hands of the spectators!") anyway the man, who's |
| songwriter anyway, so the statement - extracted | | | | God with the Remote Control, could choose a |
| from a long discussion - is redundant in this | | | | documentary about lions rather than sieg heil sieg |
| context.You talked a lot about persecution against | | | | heil...You talked about "arising hate rock". Do you think |
| our music, absolutely daily life. I think you fully | | | | hate rock is arising alone or is it accompanied by the |
| described what happens to our bands and organizers. | | | | number of people who are interested in watching |
| Shawn made very clear arguments about it and | | | | your documentary on tv? (Remember, we sell cds |
| Erich of Resistance added that music sales help the | | | | because there are fond listeners) |
| activities, but what's missing between these parts? | | | | I'll try to be clearer. I have the curiosity to know, |
| It's quite clear that people like the Big Jews or the | | | | whether you considered to produce this video |
| Communists persecute us (Death to ZOG! People | | | | because there are a lot of people who would like to |
| shouted.), but no one clearly expressed some | | | | know more about the topic. |
| opinions about the reasons. Hegemony for example? | | | | Somebody shouted "another jewish thing!"... no, I |
| What does it mean? What could the interests be? | | | | think, instead, as Orwell's Big Brother teaches, the |
| (I'm aware it's impossible to talk largely about it in | | | | unwanted truth is hidden! You DO show hate rock, |
| such a video without falling out of the circle of the | | | | so I see no jewish conspiracy.MacIntyreDonal, what |
| topic, but maybe a little idea could be given) | | | | kind of name is that? Anyway, I thought MacIntyre |
| I think the most important reason is implicit, but at | | | | was much worst, according to what my nice |
| the same time fragmented, in your documentary: this | | | | cooperator from our Press Room Neil Rush said: |
| kind of music is engine for activities!Really there are | | | | "George Clooney on holiday". Oh, God, I thought, |
| harder crimes than "loving your own folk" in this | | | | What is it? |
| world, but they are not persecuted. Is recruitment a | | | | I'm watching from far away Italy. The times I was |
| possible reason for this persecution? You talked a lot | | | | in Britain I never had the opportunity to see this man |
| about it, but you did not say it is - surely it is - a | | | | in action on tv, so this is my first time. I read his |
| reason why we are persecuted, or better, there are | | | | name and I searched on internet. His photos on his |
| opposite forces pulling people from other sides into | | | | website don't make good impression of him as |
| their own gardens. | | | | professional figure... I'm not becoming a bigot...I would |
| Very good...In total simplicity you expressed so well | | | | like to focus again on the introduction written for this |
| the moment "before the concert" in Verona (also in | | | | documentary. As I said above it seems a factious |
| Britain showing true rehearsal). It's direct, it's clear... I'll | | | | introduction, referring to words like "disturbing rise of |
| write more about it later in the editing section. | | | | the racist and anti-semitic music industry". It's true, I |
| Another good note about the concert in Germany (it | | | | should not connect the man with the words reported |
| was like you were there ready to be arrested | | | | above, but - this is an advice - pay attention, Mac, |
| together with the skins!).I saw you noticed how | | | | because you may fall into the well known tv trap of |
| internet increased the sales and the spreading of our | | | | "kindness", a disease attacking media... nobody's |
| music... this is real. Anyway, you didn't investigate | | | | safe!The history of times has taught: good-looking = |
| about how our music is technically and artistically | | | | kind. |
| produced. (You must have seen that artistic | | | | Anyway, Mac, I know you too little to go on |
| production is almost completely missing in this scene!) | | | | discussing this. |
| You showed a recording studio... but what about | | | | I found the location where you spoke adeguate. It |
| other solutions, live recordings and...distance | | | | was very "hip hop" style and in a certain way |
| recordings? You also talked too little about executive | | | | "opposed" to white power and since you are an |
| production: if you look carefully you'll find deep gaps | | | | external viewer (I'm not saying you're hip hop or |
| among labels! You touched the MTV topic, but which | | | | black) the thing unconsciously matched somehow.I'm |
| are the requisites for being on MTV? And do we | | | | sure, I bet 50 pounds, you didn't think about this, but |
| want to be there or are we avoiding? (I personally | | | | the location was chosen because it was more |
| was on the charts for most downloaded songs on | | | | "streetlife" and more "bad macintyre".Video & Sound |
| mtv.it...eheh! I'm terrible!) | | | | EditingI cannot say much about filming, because I |
| Or did you ask yourself: in terms of numbers does | | | | haven't got the requisites to talk about it, but I can |
| the white power movement produce and prefer | | | | say something about the editing, since it is a bit my |
| more musically skilled bands or lyrically oriented | | | | cup of tea. |
| bands? Which is the balance among these two | | | | There's not much to say in reality. It's a professional |
| aspects? (Erich just mentioned something about it) Is | | | | work and done by masters. |
| there any kind of attempt/effort for an industrial | | | | I'm a little (some one would rather say "short") |
| product? Prussian Blue have an organization behind, | | | | beginner - even though somebody has the courage |
| they "aggressed" the media, they have a tv crew | | | | to pay me for editing stuff - but I think I should |
| supporting them, a network of advancers...you talked | | | | examine.I already talked about it, but I should add in |
| about them, but did not notice this! And how would a | | | | this section that the times used to describe the |
| music industry based on political groups make | | | | different moments of the Verona event are as |
| difference from current mainstream industries if it | | | | precise as a clock. |
| takes off? What consequences does it take? | | | | Sometimes too much "tourism" (indispensable, I don't |
| You talked about bands, some in political groups, | | | | deny!) cutting time for significative information. A |
| others external, but which are the differences | | | | "tourism" like the one in Detroit with explanations of |
| between a band in politics and a band which is not? | | | | places and local fauna is the good solution.Sometimes |
| Is music more transversal when outside the party? | | | | maybe too long zoom in, zoom out on still images |
| What about the "fans"? How much do they spend? | | | | and...I don't remember, |
| How do top seller products change according to age, | | | | I maybe took note about some too slow transition... |
| country, income...of buyers? | | | | but those are choices and strategic "fill holes" and |
| What about peer-to-peer and how does it damage | | | | pauses, change of rhythm... |
| our scene? How do fans interact and cultivate their | | | | The "futuristic" images + music leading to title "Hate |
| interest (forums, mp3-video-photo uploads, blogs and | | | | Rock" after the introductive speech are like putting |
| original websites...)? | | | | Madonna's "American Life" as soundtrack for a |
| The Turner Diaries: cutting that part there was place | | | | documentary about nuns. I don't know if this intro is |
| for all these aspects or for another band... I would | | | | stylistically in common with other documentaries from |
| have chosen Kolovrat or some other band from | | | | your series, but really here it is a punch in an eye. |
| Eastern Europe.I appreciated the fact - and now I'll | | | | I think the introductive speech was enough, since it |
| be killed for this - that you didn't mention Ian Stuart | | | | was a sort of well done summary, it could lead to |
| so much, but your analysis of "hate rock" has been | | | | title "Hate Rock" perfectly.The last 20 minutes of the |
| contemporary.I liked a lot the line you followed, | | | | show are much slower than the first part. Is it my |
| visiting the concerts and their backstages as | | | | impression? |
| self-talking environments.What's really missing? I'm | | | | Too long uncut videos, less movement... in my |
| not the only one who states this: I think you didn't | | | | opinion, after about 40 minutes play, such a video |
| focus at all on the metal scene, such as Burzum | | | | should get a faster rhythm because it's like the |
| (whose cds are sold at your local Virgin Megastore!), | | | | audience - I don't want to say it falls asleep - is |
| or neofolk (I'm considered neofolk, but I'm not one | | | | eating 300g of pasta and after all this food you may |
| of the exemplary artists who play this genre). You | | | | get enough of it.Sometimes different speeches of a |
| didn't talk about the pagan and christian subcurrents | | | | same person taken in different places, with too |
| and their struggles (oh, so wrong to have religion and | | | | different noise backgrounds, are attached like a |
| politics together... but this happens!). | | | | continuous speech but the contrast is too evident. |
| And what else... you didn't see there are some | | | | You should have overlapped or attached more |
| professionists who make this music and who are | | | | carefully or tried to show the video (even half a |
| trying their way outside the movement. (I won't | | | | second, don't need much) from which the |
| nominate, because I'm not sure I am allowed) | | | | environmental noise is taken. |
| I'm sorry to say this final thing, because your work | | | | You may wonder "You, right you are telling me |
| really deserves many honours, but this documentary | | | | this...have you ever seen your own stuff?" |
| is still a "flouring" of white power music. I'm very critic | | | | Yes, I have and I don't want to remember. |